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Lee Filters 150x150mm Little Stopper 1.8 Neutral Density Filter (6 Stop) for SW150-Series Filter Holder

Lee Filters 150x150mm Little Stopper 1.8 Neutral Density Filter (6 Stop) for SW150-Series Filter Holder

 

The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops. The Little Stopper is ideal for those low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths. In many shooting conditions the Little Stopper will retain detail and texture in areas of movement such as the sky and water, while still conveying a sense of time passing. A glass filter that reduces exposure by approximately 6 stops.

At six stops, the Little Stopper is ideal for those low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths.

In many shooting conditions, this means that detail and texture in areas of movement such as the sky and water would be retained, while still conveying a sense of time passing.

$193.50
Lee Filters 150x150mm Little Stopper 1.8 Neutral Density Filter (6 Stop) for SW150-Series Filter Holder
$193.50

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Description

 

The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops. The Little Stopper is ideal for those low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths. In many shooting conditions the Little Stopper will retain detail and texture in areas of movement such as the sky and water, while still conveying a sense of time passing. A glass filter that reduces exposure by approximately 6 stops.

At six stops, the Little Stopper is ideal for those low-light conditions at the beginning and end of the day (when the Big Stopper's ten stops may prove too much), allowing you to enjoy increased flexibility with exposure lengths.

In many shooting conditions, this means that detail and texture in areas of movement such as the sky and water would be retained, while still conveying a sense of time passing.

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